Edward Reep's signature.
Edward Reep's signature.

1960s

Ashes my Burnt Hut - Circa 1960 - Chalk and Ink. Moth Walk - 1960 - Oil. Top of the Pier - 1960 - Oil. Two Spines - 1960 - Oil. Black Trappings - 1961 - Oil. Patriotic Building - 1961 - Oil. Moment - 1961 - Oil. Cut Glass and Flowers - 1962 - Oil. Distant Still Life - 1962 - Oil. Echo Park - 1962 - Oil. Lobster Rake - 1962 - Oil. Metal and Rust - 1962 - Oil. Vegetables with Pitcher - 1962 - Oil. Wall Splendor - 1962 - Oil. Stream - 1962 - Oil. Recorder - 1963 - Oil. Pattern - 1964 - Oil. Cross - 1964 - Oil. The Rock - 1965 - Drawing - Pen and Ink. Clarinet and Red Case - 1966 - Acrylic. Small Explosion - 1967 - Watercolor and Ink on Rice Paper. To JFK #1 - 1964 - Oil. The Dam - 1960 - Oil on Canvas. Gray Memory - 1961 - Oil on Canvas. Solitude - 1967 - Oil on Canvas. To JFK #2 - 1964 - Oil on Canvas. Machinery - Circa early 1960s - Pen and Ink - 35 x 22. Black and Gold - 1963 - Watercolor - 21 x 29. Evening in Los Angeles - 1963 - Oil - 32 x 51. The Butterflies - 1965 - Pen and Ink - 28 x 34. Drawing in Color - 1966 - Pastel - 17.5 x 11. Gingko - 1967 - Ink, Watercolor on Rice Paper - 11.5 x 17. Inside Stuff - 1967 - Watercolor and Ink on Rice Paper - 17.5 x 11.5. Red to Blue - 1969 - Oil and Pastel Drawing - 18 x 12. Viva Lobos - 1969 - Pen & Ink - 29 x 35. Beachwood Rug - 1969 - Acrylic - Scanned in black and white from show catalog - 40 x 40. This Good Patio - 1960 - Oil - 46 x 46. Knoll - 1961 - Oil - 40 x 30. Beachwood - 1968 - Acrylic - 36 x 54. Of the Sea- 1968 - Watercolor on Rice Paper - 13 x 18. December of Venice - 1963 - Watercolor - 29 x 21. Drydock - 1960s - Pen and Ink on Rubberized Paper - Approx. 28 x 34. Underpier - 1960 - Oil - 40 x 30. Hull - 1961 - Oil - 48 x 36. Vista - 1962 - Oil - 40 x 30. Coat and Hanger - 1966 - Watercolor - 40 x 30. Marble Chalice - 1960 - Oil - 20 x 30 - (Possible). Matador's Bouquet - 1960 - Oil - 30 x 40. Pomegranate - 1967 - Watercolor and Ink on Rice Paper - 11 x 17 - Scanned from black and white page in book.